Erasmus DarwinBritish physician

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Erasmus Darwin, detail of an oil painting by Joseph Wright, 1770; in the National Portrait Gallery, …[Credits : Courtesy of the National Portrait Gallery, London] British physician, poet, and botanist noted for his republican politics and materialistic theory of evolution. Although today he is best known as the grandfather of naturalist Charles Darwin and of biologist Sir Francis Galton, Erasmus Darwin was an important figure of the Enlightenment in his own right.

Education and early interests

The son of a Nottingham lawyer, Darwin studied classics and mathematics at St. John’s College, Cambridge, and then engaged in three years of medical training at the University of Edinburgh. He moved to Lichfield, Staffordshire, in 1756, where he ran a flourishing medical practice and was elected a fellow of the Royal Society (1761). His first wife, Mary Howard, died in 1770, leaving three surviving sons, two of whom subsequently died. But the youngest, physician Robert Waring Darwin, married the daughter of Darwin’s close friend, English craftsman and scientific entrepreneur Josiah Wedgwood. The young couple’s fifth son was Charles Darwin, who would later write the influential work On the Origin of Species (1859). In the early 1770s Erasmus Darwin had two illegitimate daughters with Robert’s governess, Mary Parker. In 1781 Erasmus married a young widow, Elizabeth Pole, who insisted that he move to her home in Derby, where he started writing scientific poetry and textbooks. Together they had seven children; their eldest daughter was the mother of Francis Galton, who in the late 19th century would found the science of eugenics.

Darwin’s major early interests were medicine and invention, but in the late 1770s he became fascinated by botany. He translated textbooks and composed “The Loves of the Plants” (1789), which mainly comprises elaborate footnoted verses extolling Swedish botanist Carolus Linnaeus’s taxonomic system. An immediate success, this erotic dramatization was later republished as the sequel to a poem called “The Economy of Vegetation” (1791) in the two-part The Botanic Garden (1791). A related poetic work, “The Temple of Nature” (1803), appeared posthumously. Both this latter work and The Botanic Garden were strikingly illustrated by William Blake and Henry Fuseli.

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