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Three successful films, Kurosawa Akira’s Rashomon (1950), which won the Grand Prize at the 1951 Venice Film Festival; Ugetsu monogatari (1953), directed by Mizoguchi Kenji; and Gate of Hell (1953–54), the first Japanese film to use colour, eased the company’s financial difficulties. Despite its transition to wide-screen productions in the 1950s, the Daiei company was...
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