a novel that has as its setting a period of history and that attempts to convey the spirit, manners, and social conditions of a past age with realistic detail and fidelity (which is in some cases only apparent fidelity) to historical fact. The work may deal with actual historical personages, as does Robert Graves’s I, Claudius (1934), or it may contain a mixture of fictional and historical characters. It may focus on a single historic event, as does Franz Werfel’s Forty Days of Musa Dagh (1934), which dramatizes the defense of an Armenian stronghold. More often it attempts to portray a broader view of a past society in which great events are reflected by their impact on the private lives of fictional individuals. Since the appearance of the first historical novel, Sir Walter Scott’s Waverley (1814), this type of fiction has remained popular. Though some historical novels, such as Leo Tolstoy’s War and Peace (1865–69), are of the highest artistic quality, many of them are written to mediocre standards. One type of historical novel is the purely escapist costume romance, which, making no pretense to historicity, uses a setting in the past to lend credence to improbable characters and adventures.
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